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  • Rent Musical

    This is an archive page.

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    31st July 2014

    Rent

    Curve, Leicester

    Rent, a musical by Jonathan Larson 

    Directed by Paul Kerryson

    Book, Music and Lyrics by Jonathan Larson

    A curve Community Production

    Rating: ****

    The premature death of Jonathan Larson in 1996 at the age of 35 was as tragic as that of his character Angel. Rent is a musical that has moments of tear-jerking angst but also moments of joyous celebration, so it echoes the traditions of opera whilst being a musical in the best modern genre of Broadway.

    Those of us who saw The Water Babies (Curve, May 2014) would have acquired a taste for modern musicals that prepared us for tonight’s performance of Rent, with its vibrant music, set numbers and youthful energy, just as West Side Story (Curve, July 2011) or Fame (DeMontfort Hall 2014) had done. Curve has embraced modern themes, as we saw with the musical The Umbrellas of Cherbourg (Curve, February 2011) as much as with the production of Shakespeare’s play Romeo and Juliet (March 2011) or the very musical music productions of Mid Summer Night’s Dream (Curve 2011) or Twelfth Night (Curve September 2013). Curve’s current offerings of Annie and Rent are both community productions, drawing young talent from the local community but, as is always the case, you could not have realised that if you didn’t know in advance. In terms of the quality of what you get from the stage, there is little difference between a professional cast and a community ensemble. Curve’s community productions have never been amateurish.

    Larson received posthumous awards for Rent which was a long-running success both in Broadway and The West End. The tragic death of the composer and playwright the morning after the preview of Rent was echoed in the show when one of the leading characters – Angel – dies of AIDS. Larson died of a heart attack, resulting from an undiagnosed disease, but his musical went on to become one of the most successful and celebrated works of the 1990s.

    Tonight’s performance at Curve received a standing ovation from the sell-out crowd and you could tell, by being there, just what a buzz there was in the audience throughout the show. The story follows the hopes, dreams and relationships of a set of young creatives struggling to survive in the East Village of New York. Like so many twenty-somethings of the time, they have to contend with poverty, landlord’s chasing them for the rent, drug dealers, hunger and cold. Against this backdrop of hardship and deprivation, the group display a resilience supported by friendships, relationships and camaraderie. Like the production that followed it – Fame – a central theme of Rent’s story-line is the ups and downs and ins and outs of the relationships between some of its leading characters.

    Wannabe film-maker Mark Cohen (Tim Wilson) has dumped by Maureen. Rock guitarist Roger Davis (Jak Skelly) is HIV+ and his girlfriend April killed herself when she found that she also had the disease. Tom Collins (Matthew Browne) shares a love interest with a young drag queen Angel (Keir Barradell). Mimi Marquez (Lola McKinnon), a drug addict and night-club dancer, is the love interest of Roger and like him is HIV+. Maureen Johnson (Tabatha Pegg) is in a lesbian relationship with Joanne Jefferson (Sharan Phull)… and so it goes on. It’s a pretty tangled scenario that unravels as the plot develops and you have to pay attention to keep up with whose doing what to whom.

    The leading characters are supported by a chorus of around 25 singers, a bit like a Greek Tragedy, so that at several points during the performance there could be upwards of thirty artists on the stage. It’s a show that has set pieces – duets between the leading protagonists, full-cast choral numbers, monologues and several sessions where the mothers of various characters are on stage, phoning their offspring from various parts of North America, trying to find out if their little darlings are ok.

    Rent captures much of what the 1990s was about and, like the opera around which it was loosely based (Puccini’s La bohéme), it is a tale of love, tragedy and the lives of young Bohemians, some of which end in death, against the back cloth of life in Manhattan (just as Puccini’s opera was based in the Latin quarter of Paris.) The story is racy, the lyrics uncompromising in the use of colloquial language and the atmosphere sparkles with the lustful energy of youth.

    Kerryson’s production brought all this alive. The music was played by a live band, the solo vocals and choral passages were impressive and the sound system at Curve better than anything you will hear at any theatre in the UK. Like all musical productions at Curve, production values are uppermost. Musically, Rent provides salsa, be-bop, reggae and the kind of R and B often associated with Motown, although it has been described as a ‘rock opera’, but with only a slight resemblance to The Rocky Horror show (Curve, October 2013.)

    All the performances were excellent but those of Jak Skelly as Roger, Tim Wilson as Mark and Lola McKinnon as Mimi were astonishingly good. Keir Barradell’s portrayal of Angel was amazing, backed by that of Matthew Browne as Tom Collins. Tabatha Pegg’s portrayal of Maureen, the seductive stripper and S&M night-club dancer, drew a strong appreciation from the audience for her lavishly salacious performance. It was the choral scenes that I found particularly engaging, adding in a strong vocal layer and enhancing the musical quality of the show through both acts. Sensational performances from the leading artists and the vocal crew, this was an ace production that glittered with musical fireworks.

    Rent was an excellent show and production; well worth seeing. A not-to-be-missed event.

    Rent runs at Curve on 1st August, 4th and 7th August

    and Annie from 2nd to 10th August

    See also:

    Our listing of #What’s On in Leicester

    Read about #Street Dance in Leicester

    Find out about #Black Music

    #Gershwin in Leicester

    Page edited 9th February 2023.

  • Street Dance

    30th July 2014

    MIDLANDS BEST DANCE CREW 2014:

    SEARCH LAUNCHES FOR URBAN DANCE SUPERSTARS OF THE FUTURE

    dancecrew

    The search is now on to find the region’s top urban dance talent as Midlands Best Dance Crew is launched for its 2014 competition. The X-Factor-style dance-off for street dance groups has been running since 2010 and has produced winners that have gone on to feature in the finals of Britain’s Got Talent. This year’s special guests are also BGT finalists, as The Addict Initiative, described by Simon Cowell as the best dance group since Diversity, will make a guest appearance, performing on the night.

    This year’s competition will be held on Saturday 4th October, in an exciting evening of street dance competition in which troupes from across the Midlands compete for a £1,000 cash prize for the winning group. The event consists of performances from the shortlisted groups, plus input from the expert panel of judges, which includes major names in urban dance and choreography such as Supple Nam (has worked with Beyonce and Madonna and was Creative Director on Sky1’s Got to Dance, Britain’s Next Top Model and So You Think You Can Dance), Andi Vega (international award winning dancer and choreographer) and Gemma Hoddy (choreographer for the likes of the MOBOs, Top of the Pops, National Movie Awards and Blue Peter).

    Previous winners include BASE, who went on to compete on national television in Britain’s Got Talent. The competition is run by 2Funky Arts, a community-based arts group focusing on young people, and will be held at Curve Theatre. Tickets are priced at £14, £12, £10 – £2 off for concessions.

    Vijay Mistry from 2Funky Arts and the brainchild behind Midlands Best Dance Crew said “We would encourage groups from across the region to come forward and enter the competition. Not only do you get the chance to win £1,000, but the finalists all get great publicity. We have had some fantastic entrants in previous years and the standard has been sky high. This is an important platform for urban and street dancers from all sections of the community to compete and gain recognition for their skills, plus potentially turn a hobby into a lucrative career.”
    Joshua Pilmore from previous winners BASE said “We have so much to thank Midlands Best Dance Crew for. It gave us the profile to pursue dance as a professional career, and we are all happy working in the industry. It is a dream come true for us.”

    Entrants need to request an application from info@2funkyarts.co.uk, which are to be submitted by 15th August 2014. Shortlisted finalists will be announced by24th August 2014.

    For more information on Midlands Best Dance Crew or tickets, please visit www.curveonline.co.uk/midlands-best-dance-crew or for an application form email info@2funkyarts.co.uk.

    Join the debate about the Midlands Best Dance Crew on Facebook or #mbdc2014 on Twitter.

    See our page #Dance News

  • Black Music

    7th July 2014

    New Website Celebrates Leicester’s Black Music History

    2Funky Arts has put together a unique website on the history of Black music styles in Leicester, featuring their acclaimed documentary film on the subject.

    Their Spectrum project tracks the city’s history of soul, disco, reggae, R&B, gospel, drum ‘n’ bass, hip hop and ‘urban’ music over the last 40 years. It covers singers, bands, DJ’s, sound systems, dancers, musicians and record labels, across music of Black origin.

    As well as the film itself, the website includes full length interviews with artists, as well as historical photographs, original footage, sound clips and flyers. Artists interviewed for the film include reggae DJ’s Junior Blues and Skully, singer Carol Leeming, Jazz DJ Tony Minvielle, Producer and entrepreneur DJSS, Classic Groove DJ Collective and soul/ funk band Saquii. Vocalist Bizzi Dixon, who reached the semi-final in BBC1’s The Voice this year, was also featured.

    Vijay Mistry, Director of 2Funky Arts said:
    “We were unable to include all material in the film, so this website is the perfect platform for all of our exciting discoveries. The breadth of material is testament to the overwhelming public interest in the project.”

    Colin Hyde, of East Midlands Oral History Archive, has said of the film:
    “It is entertaining, informative and thought provoking and is a great example of how the memories of the people involved in the music business can bring the subject alive for new audiences.”

    This is a five year project, building on what we have already, and artists and local music fans are encouraged to continue to submit flyers, photos, press articles, footage and other material reflecting the history of 40 years of Black music in Leicester. Contact Vijay on info@2funkyarts.co.uk for more information.
    To visit the website and view the film, please go to: www.spectrumleicester.co.uk

    Official Partners: Leicester Arts and Museums Service, East Midlands Oral History Archive, Mainstream Partnership, Record Office for Leicestershire, Leicester and Rutland, African Caribbean Centre, African Caribbean Citizens Forum, Embrace Arts, Curve Theatre and HCC.

    See also:

    Home page for the #news section

    Page on #heritage news

    New #films

  • Gershwin in Leicester

    1st July 2014

    Crazy for Gershwin

    George and Ira Gershwin wrote some of the most loved music in the American songbook and Crazy for Gershwin is packed with some of their very best work.

    Including: Someone to Watch Over Me, excerpts from Porgy and Bess, A Foggy Day in London Town which will be performed by the London Concert Orchestra and special guest vocalists, the highly acclaimed Meeta Raval and Rodney Earl Clarke.

    However, that is not all. Bringing some heart-stoppingly fast paced and highly skilled dance to the proceedings will be dancers James Wilson and  Leila Stewart and West End tap dancing sensations Oliver Botterill and Lucy-Alexa Gilbert. They will be performing to pieces such as ‘S Wonderful, Lady be Good, Swannee and I Got Rhythm.

    The line up will be completed by talented pianist Jonathan Scott who will bring all his skill to performing Rhapsody in Blue, arguably one of the most important musical pieces of the twentieth century.

    See also:

    What’s on at #Kilworth House Theatre.

    Poet #Helen Ivory comes to Leicester.

    The first part of our feature article on The #History of Leicester.

  • KIlworth House Theatre

    1st July 2014

    Kilworth House Theatre Listings

    This page forms part of our archives

    Tuesday 24th June – Sunday 27th July

    SOUTH PACIFIC

    Please note no Monday performances

    Date

    Time

    Price

    Tuesday 1st July

    7.30pm

    £28

    Wednesday 2nd July

    7.30pm

    £28

    Thursday 3rd July

    7.30pm

    £30

    Friday 4th July

    7.30pm

    £32

    Saturday 5th July

    2.30pm

    £27

    Saturday 5th July

    7.30pm

    £35

    Sunday 6th July

    2.30pm

    £27

    Sunday 6th July

    7.30pm

    £28

    Tuesday 8th July

    7.30pm

    £28

    Wednesday 9th July

    7.30pm

    £28

    Thursday 10th July

    7.30pm

    £30

    Friday 11th July

    7.30pm

    £32

    Saturday 12th July

    2.30pm

    £27

    Saturday 12th July

    7.30pm

    £35

    Sunday 13th July

    2.30pm

    £27

    Sunday 13th July

    7.30pm

    £28

    LIVE AT KILWORTH’

    Wednesday 16th July

    8.00pm

    Gary Mullen & The Works performOne Night Of Queen

    £29

    Thursday 17th July

    8.00pm

    Gary Mullen & The Works performOne Night Of Queen

    £29

    Friday 18th July

    8.00pm

    Talon – The Best of Eagles SOLD OUT

    £25

    Saturday 19th July

    8.00pm

    Paul Carrack

    SOLD OUT

    £30

    Sunday 20th July

    8.00pm

    Last Night of The Proms

    SOLD OUT

    £32

    Monday 21st July

    8.00pm

    Bjorn Again

    £29

    Tuesday 22nd July

    8.00pm

    The Magic of Motown

    SOLD OUT

    £29

    Wednesday 23rd July

    8.00pm

    A Viennese Strauss Gala

    £32

    Thursday 24th July

    8.00pm

    Ken Dodd

    £28

    Friday 25th July

    8.00pm

    The Manfreds

    £29

    Saturday 26th July

    8.00pm

    The Johnny Cash Roadshow

    £25

    Sunday 27th July

    8.00pm

    Last Night of The Proms

    SOLD OUT

    £32

    Box Office 01858 881939 (Mon – Fri 10am – 4pm) online: www.kilworthhousetheatre.co.uk

    Kilworth House Theatre, Lutterworth Road, North Kilworth, Leics LE17 6JE

    See also:

    New season at #Curve

  • Helen Ivory in Leicester

    1st July 2014

    Poetry

    Don’t miss WORD! in July when we’ve got the famed, Helen Ivory – supported supersonic rising star, Shruti Chauhan.

    WORD!..with Helen Ivory.
    Supported by Shruti Chauhan.
    July 1st 2014
    The Y Theatre, 7 East St, Leicester
    8pm (performers, 7pm)
    £3/£4

    Helen Ivory was born in Luton in 1969 and began to write poems at Norwich School of Art in 1997, under the tuition of George Szirtes. She won an Eric Gregory Award in 1999 and then disappeared into a field in the Norfolk countryside to look after two thousand free-range hens.

    When she emerged ten or so years later, she had two collections with Bloodaxe Books and had helped, with her own bare hands, to build several houses.

    She is a poet and artist, a freelance creative writing tutor and academic director for creative writing for continuing education at the University of East Anglia, an editor for The Poetry Archive, editor of the webzine Ink Sweat and Tears, and co-organiser with Martin Figura of Café Writers in Norwich.

    Helen is supported by talented local poet, Shruti Chauhan.

    See also:

    #Heritage news.

    Part 1 of our feature:  #History of Leicester.

    The new season at #Curve.

    News about #Richard III.

    Read about Leicester’s Summer of #Festivals.

  • Wedding photography

    30th June 2014

    Visit the website for Asian Wedding Photos, a Leicester-based photography service that we have been happy to support over the years.

    Arts in Leicester has featured the work of local photographers and we hope to present examples of their work on our website in the near future.

    See also:

    Read about #Leicester’s summer of festivals.

    Find out about the opening of the #RichardIII visitor centre.

  • Heritage news

    News about Leicester’s heritage

    Page last edited:  30th July 2014

    26th June 2014

    Help to tell city’s ‘Story of Parks’

    PEOPLE are being asked for their views and ideas for events and activities to help tell Leicester’s ‘Story of Parks’.

    The six-week public consultation, which launches today (Monday, Jun 23), is part of an ambitious project to tell the story of Victoria Park and its historic gates, as well as other capture the history of other city parks.

    The project is being supported by the Heritage Lottery Fund.

    The consultation will ask people about the activities they would like to see or get involved with. The best and most popular ideas will be submitted to the Heritage Lottery Fund (HLF) as part of a project plan for final funding approval.

    If successful, the council will receive HLF funding to help deliver an 18-month long programme of activities based around the history of Leicester’s parks. This would begin in the summer of 2015.

    A consultation roadshow will be traveling around community centres, libraries and other city council venues. Its first stop will be at Leicester Central Library until Saturday, 28 June.

    Assistant City Mayor, Cllr Piara Singh Clair, said: “Parks play a very special part in the lives of people who grow up in our cities and everyone has a story to tell.

    “We are delighted the Heritage Lottery Fund have awarded first stage approval for our ‘Story of Parks’ project and agreed to fund our initial research and consultation.

    “It is important that we capture the ideas of people who use our parks, or have perhaps have memories passed on from previous generations who have grown up around them.”

    In total, the city council receive around £300,000 from the Heritage Lottery Fund. This will also pay for the repair and refurbishment of the ornate Edwin Lutyens-designed gates at the entrance to Peace Walk and the park lodges on Victoria Park.

    The gates were a commemorative gift to the city by Sir Jonathan North, who was mayor of Leicester during the First World War.

    The Leicester park heritage consultation can be completed online at www.leicester.gov.uk/haveyoursay

    [Source: Leicester City Council]

  • History of Leicester part 1

    20th June 2014

    Part 1 of our series of articles on the history of Leicester

    The History of Leicester

    2000 years of continuous habitation

    Leicester’s pre-history

    By Trevor Locke

    The relationship between people and the buildings they occupy has always been a fascinating topic of research and debate. From the time when men ‘lived in caves’, to the times when they built their homes from mud and dung through to today’s gleaming spires of steel and glass, buildings have shaped the lives of the people who lived and worked in them.

    Humans have lived and died in Leicestershire for many thousands of years. More and more evidence is coming to light about the pre-history of our local area. Humans have left traces of their existence in the area we now call Leicestershire, since they first arrived in the area, probably after the end of the last ice age.

    Before and after the Ice Ages

    Evidence of man’s presence in our country can be dated back to before the Anglian ice age, around 500,000 years BC. Our knowledge of pre-historic Britain has developed considerably in recent years with new finds from the Mesolithic and Neolithic periods being unearthed.

    Hundreds of artefacts have been gathered from sites around Leicestershire, giving us some insights into the life of people before they began to construct buildings, when they were primarily hunter-gatherers, living off what the land could provide for them.

    The start of houses

    After the end of the ice age, around 10,000 to 8,000 BC, humans began to form settlements. It was in the Mesolithic era that permanent dwellings began to be erected.

    In the bronze age, people began to build homes, plant crops and tend cattle, sheep and pigs. They built round houses that were constructed from local materials.

    One of the first homes to be discovered in the UK was built in the Bronze age, in 4,000 BC. The round house was made of wood and probably had a roof made of thatch or turf. It was discovered in Peterborough, Cambridgeshire, at Flag Fen, by the television archaeological programme Time Team (Series 7, Episode 9). It was set in a landscape of fields and track ways. Based on what the dig discovered, a re-construction of the roundhouse was made. It was a significant find; it suggested that people were beginning to form a settled way of live, based on farming. This was around 1,500 BC. They established fields with boundaries and kept animals to provide them with meat. Settling in one place allowed people to spend more time on the creation of artefacts, including jewellery and tools and many of these have been discovered in burials. The dead were buried close to the places where people lived.

    The new discoveries at Star Carr in Yorkshire threw new light some of the very earliest evidence of buildings. Hunter-gatherers are believed to have created permanent settlements in which ceremonial and economic activities took place.

    As the ice melted, sea levels rose and the low-lying bridge of land that connected ‘Britain’ to the European continent was flood and created the islands we know as the British Isles, around about 6,500 BC (or BCE – before the common era.)

    Man was active here at a time when our country was still connected to the mainland of continental Europe. The first humans arrived here about 25,000 years ago. In that time, between ice ages, Britain was connected to Europe by an area called Doggerland. People were able to walk here from Europe, prior to the time when the land became an Island separated by the English Channel.

    The very first buildings

    The people who lived after the end of the Ice Age were predominantly hunter-gatherers who lived a largely nomadic life-style. People chose the sites for their settlements carefully, based on the needs of the community – for access to water for drinking, washing and fishing – to avoid water (by choosing higher ground that would not get flooded) and where they could grow crops and tend animals.

    Being on higher ground they could also command a view of the surrounding land, enabling them to keep an eye out for intruders or groups that might attack their settlements.

    New discoveries have overturned the belief that the construction of domestic buildings in Britain did not begin until around the time of the Iron age, 5,000 years ago.  It was common for people to build round houses in this country; in other parts of Iron Age Europe, people lived in rectangular houses [British Museum.]

    In fact one structure was discovered in North Yorkshire that dates back to the Stone Age, 8,500 years BC (the Star Carr site.) Archaeologists believe that they might have found one of the first ‘houses’ to have been constructed in the British Isles.

    The Star Carr site

    Tombs (barrows) were constructed in the Megalithic period; the burial of the dead preceded the wide-scale construction of permanent domestic structures.

    Stone Henge, in Wiltshire, is thought to have been constructed about 2400 and 2200 BC. A roundhouse was discovered in Orkney that is thought to have been constructed about 700 BC. There is some evidence that suggests that the earliest prehistoric groups lived a nomadic existence, sheltering in tents made from animal skins. In Neolithic times people began to erect long houses as early as 5,000 to 6,000 BC (on mainland Europe.)

    It was during the Bronze age that pottery began to appear. Vessels have been found that were decorated with distinctive groove patterns dating back to 3000 BC. This beaker period goes back to the end of the Neolithic and early Bronze Age periods. The first figurative art appeared in the late Neolithic period.

    In the bronze and iron ages, people built their houses from the materials they found around them – trees, straw or reeds or turf for roofing, mud or clay to fill in the holes and cracks.
    Apart from houses for people to live in, enclosures were also constructed for animals, such as cows and sheep, and these could have formed an integral part of the early settlements.
    When these buildings were abandoned, they rotted back into the earth, leaving only tell-tales signs (such as post-holes) as to how they had been constructed.

    There were no sewers; people dug pits into which they put their refuse and broken pots and other unwanted materials.  Archaeologists discovered a lot about the life-styled of Iron and Bronze age people from the rubbish they left behind.

    The dead were often buried close to human habitations (indeed, sometimes even inside them.) How people dealt with the dead changed over time, customs changing from burial to cremation but other practices have also been discovered.

    It was not until the (much later Roman times) that people began to use stone in construction. Early houses were invariably round; it was the Romans who brought the idea of square or rectangular buildings to this part of the country. There is evidence that some rectangular houses were built before the Romans but it  is the round floor plan that is the most common.

    Early houses were built without plans being drawn. There were no architects, quantity surveyors and probably no people who specialised as builders. Knowledge of how to construct buildings was handed down from one generation to another. What materials to use and how to put them together was part of a group’s traditions. People would probably have known how to fell trees, which trees to cut, what materials were available in the woods or from the swamp areas or from river banks.

    Tools were relatively primitive; saws and hammers were rare but some kinds of tools must have been used to shape wood or to cut reeds to the desired length. Examples of bronze age axes have been found – the adze was used to work wood and had a bronze head attached to a handle made of wood. Ditches were often dug around the outskirts of houses or settlements and implements must have been used for this.

    Tools used by farmers have been found, dating to the iron age. These were used to harvest crops. Axes have been found dating to this period. ‘The main frame of roundhouse would have been made of upright timbers, which were interwoven with coppiced wood – usually hazel, oak, ash or pollarded willow – to make wattle walls. This was then covered with a daub made from clay, soil, straw and animal manure that would weatherproof the house. The roof was constructed from large timbers and densely thatched’ [BBC history.]

    Buildings and art

    For centuries buildings have reflected the cultural and artistic values of each generation. We see the ornate carvings and elaborate stonework of the Gothic era, the middle ages and the Victorians and marvel at the embellishments that adorn some of our notable public buildings and monuments. How do we recognise and appreciate the message that modern and contemporary buildings gives us? Today’s architects look for beauty in simplicity. Buildings are designed to be machines for living and working. Functionality determines their layout and external appearance. There is no evidence that Bronze or Iron age huts were decorated in any way; the ornamentation of buildings probably did not start until the Romans radically changed the way buildings were constructed.

    When we look back at the Leicester of our forebears, much of which we can still see on our streets, we can glimpse the lives they used to lead. Buildings in our city centre suggest a past of wealth and prosperity, economic and commercial success and the desire of the powerful and successful to aggrandize their social status.
    Leicester is a place that has seen human habitation since before the Romans arrived and has always been a major point on cross-country routes. There are indications of settlements on the banks of the Soar in the Iron age. If this is correct then Leicester is a place that has seen over two thousand years of continuous human habitation.

    As we look through the buildings that stand as milestones in the history of Leicester/shire, we can see them telling us about the history of England. From the Roman invasion, through to the Wars of the Roses, the Dissolution of the Monasteries, The Reformation, the Industrial Revolution, the rise of Modernism, these epochs reflect changing attitudes to art and culture as well as being a testament to the political and social currents of their times.

    We can tell a lot from the rubbish tips and cess pits of our ancestors. One wonders if future archaeologists will be digging in the land-fill sites of today’s world for clues to the life of everyday people.
    The excavation of the past is often about buildings and artefacts – the things that people have left behind them in the earth. A lot is also learned from the burial of the dead; if you want to understand the life of people in the past, grave yards are a good place to start.
    If we want to understand the artistry of the past, we have to understand the social context in which artisans worked and in which people consumed and used their products and creations. It is only through painstakingly collating and piecing together a mass of evidence, that we can develop a picture of the earliest inhabitants of the area we now know as Leicester.

    Prior to the Iron Age, humans were largely nomadic hunter gatherers. The only evidence we can find are their stone tools, left behind as they moved from place to place, together with indications of how they disposed of their dead.

    From around 50 B.C. a settlement developed along the east bank of the Soar and this can be seen as the origin of modern Leicester, argues Malcolm Elliot. The Iron Age and the era of Roman settlement saw the earliest formation of Leicester. In the year 2000, an open-air ritual site was discovered in Hallaton in East Leicestershire.

    It was one of the most important discoveries in recent years from the Iron Age and Early Roman Britain. Over 5,000 Iron age and Roman coins were found on the site. Most were made locally and issued in about 20 to 50 AD. These coins were probably made by members of the Corieltavi tribe.

    The Romans in Leicester

    Prior to the Roman Invasion of A.D. 43, the settlement on the banks of the Soar seems to have become an important centre for the Coritani tribe (Corieltavi or Corieltavauri.) They would have had trading connections with south-east Britain and beyond, perhaps extended into other parts of Europe. Excavations have revealed pottery from France, Italy and southern Spain. The Coritani ranged across what is now Leicestershire, Nottinghamshire, Lincolnshire and parts of South Yorkshire. They were a collection of like-minded people who shared the same outlook and social practices.

    Whilst it is likely that they had a settlement on the banks of the Soar, this was not their principal centre. Ratae Coritanorum was the capital town(civitas) of the tribe, lying on the route from London to Lincoln.
    The Roman settlement is thought to have been a rectangular area, surrounded with perimeter fortifications in which there were four gates. There is doubt about whether the river side of the enclosure was walled, like the rest. The Romans frequently established their forts on (then) pre-existing Iron age or Bronze age sites. Beneath the remains of Roman forts is it common to find much earlier  archaeology.

    The Fosse Way was an important Roman Road linking the fortresses of Exeter and Lincoln. This passed near to Ratae Corieltauvorum. Following the Roman invasion, the Fosse Way marked the western frontier of the Roman area. The current A46 follows the path of the Fosse Way between Lincoln and Leicester. Nearing the city its route is now marked by Melton Road and Belgrave Road. It would have terminated roughly at the position of Clock Tower and continued along the line of the present Narborough Road.

    As the invading legions pushed northwards, it is thought they would have crossed the Soar near to the present West Bridge.  Early in the second century, the town was being built up using a grid pattern. It was around 125 to 130 A.D. that the forum, basilica and baths were constructed, the ruins of which can now been seen at the Jewry Wall site. Substantial town houses were also built, having central heating, floors of fine mosaics and painted walls. This signifies that Ratae was an important seat of government and continued to be so right into the fourth century.

    As the great Roman buildings fell into ruin, their stone was used to build new structures, such as the church of St. Nicholas. The regular pattern of the Roman streets began to be overlaid by the buildings of later centuries as ground level rose several feet above what would have the level of the original Roman town.

    Leicester – 2000 years of diversity

    Discovery of pagan burials from Roman times in Leicester
    A fascinating documentary on Channel Four TV tonight (1st May 2013) throws new light on Roman life in fourth century Britain. In the series Stories from the Dark Earth, archaeologist Julian Richards looked at the pagans of Roman Britain. What stood out for me was his depiction of Romano-British society as being ethnically and culturally diverse. He looked in particular at two burials: a wealthy man from Roman Winchester and a lavishly appointed grave of a woman in the heart of London. The Winchester man had received a pagan burial. He was someone who had been born and bred locally. The wealthy woman found in London, however, had come to this country from Rome itself. Artefacts found in the grave site suggest that she might have been a follower of the cult of Bacchus.
    In his narrative to the programme, Richards suggests that those who inhabited major Roman towns, such as Venta Belgarum (Winchester) and Londinium (London), were not just a mixture of indigenous peoples and Romans from Italy, but a much more ethnically diverse community of people who had arrived in this country from a very wide range of European origins and, in all likely, from other parts of the Roman Empire including the Middle East and North Africa.
    By the time of the decline of the Roman Empire in Britain, from the fourth century onwards, many indigenous inhabitants had become Romanised, so that their way of life, religious beliefs and culture characterised them as Roman.

    If this was the case in towns like Winchester and London, then we might surmise that this would also have been the case in Leicester. There is evidence that suggests that larger Roman towns and settlements were cosmopolitan places in which we would have found people from all over the empire.

    The presence of people from North Africa in British Towns is well documented. Dr Simon James has commented: Before Roman times ‘Britain’ was just a geographical entity, and had no political meaning, and no single cultural identity. [The Peoples of Britain]
    Arguably this remained generally true until the 17th century, when James I of England and VI of Scotland sought to establish a pan-British monarchy.

    The British Isles have always been the home to people who have moved here from other parts of Europe, Africa and the Middle and Far East, ever since the time when the first settlers walked into our land when it was still joined to the European landmass, prior to the formation of the English Channel.

    From the decline of the Roman empire to the Norman invasion of 1066, the area was dominated by the Anglo-Saxons, people descended from the Germanic tribes of Europe.  Evidence from the archaeology of the rest of the UK suggests that the Roman army was made up of people from many areas of Europe, North Africa and Middle and Far Eastern places, such as Syria and parts of what is now Turkey.

    Walking around what we now call Leicester (back in the times of the Romans), you would have seen a variety of faces: white, brown and black skins and witnessed an astonishing melting pot of ethnic and cultural mixes.

    The Dark Ages

    After the Romans had gone, The Saxons came. 1,400 years ago the country was invaded by people from the area of Europe now called Germany. This period is sometimes referred to as the Dark Ages. So little is known about this period that it appears to be a dark hole in the history of the British Isles. The archaeology is so frustratingly difficult that you might as well call it The Dark Stainages; The Saxons left so little behind, that much of the evidence comes from stains in the earth. Painstakingly scraping through layers of soil, dark patches appear where post holes were made, or red patches where fires once burned. There was however, pottery. One of the most important excavations took place in Leicestershire in 2008 when Time Team came to Knave Hill and Tony Robinson lead the team in digging up part of a hill South West of Leicester.

    People walking in the fields found pieces of pottery and noted down exactly where they had been found. This gave the diggers a clue to where they should put in their trenches – where there was the highest concentration of pottery finds.

    This is what modern archaeology is all about – taking a systematic approach and using well established techniques; It’s not about luck, it’s about methods. Digs are frequently about finding tell-tale traces in the soil – pits and ditches – that tell us that there was human settlement there once and if we are lucky we find pottery shards in them to give us dating evidence.

    At Knave Hill there was excitement when archaeologist Matt Williams found several large pieces of pottery from the late Iron age – the period before the Romans arrived. Both the Romans and the Saxons often settled on sites previously occupied in earlier times, from the Bronze Age through to the late Iron Age.

    Most Saxon buildings were built from timber, they had wooden walls and the roof consisted of thatch. All that rots away after the buildings have been abandoned, leaving only faint traces from which the type and extent of the buildings can be analysed, using a great deal of evidence gathered from many sites across the country.

    Humans settled in certain places according to the nature of the local countryside. These people began to mingle with the people who were already here – the Celts. The very earliest people to colonise our land – after the end of the last ice age – were people who wandered across from the European continent at a time before the British Isles were separated by what is now the Channel. Between around 45 AD and 412 AD, there were the Romans. It was not surprising therefore that evidence of Roman occupation was found on the same site. The Romans often took over Iron Age settlements and the finds helped to prove this.

    Working with the Time Team crew was archaeologist Peter Liddle and a team of volunteers from The Langtons. The Saxons established administrative areas called hundreds. The boundaries of these areas often follow natural contours such as rivers, hills and roads. A study of the local landscape enabled the team to predict where settlements might have been. Rivers were important as a source of water and fish, while higher ridges and hills offered a good place to live to avoid the flooding in the lower-lying river valleys.

    The Romans built roads but these would have often followed earlier courses that had been established in the stone age. Those tracks could have been laid down by the migration of herds of animals.
    The excavations at Knave Hill suggest that  there had been around a 100 people living and farming in a settlement of huts surrounding a central Hall.

    Scientists have plotted the migration of Peoples from Europe, using analysis of DNA. It was suggested that about ten percent of the population were of Saxon and Viking origin. Waves of invaders did not obliterate the indigenous Celtic population but integrated with them. Astonishingly, their DNA can still be found in the people of the 21st century. So, the Dark Ages is perhaps a misnomer. A growing amount of evidence has been dug up to throw light on the people of this time and of course there is the poetry.

    About this article

    This text is taken from the old Arts in Leicestershire web site. It originally formed the commentary to the pages in the Architecture section. The text on this page had been edited a little from the original. We plan to republished the whole of the old magazine’s Architecture Section, as part of the heritage section of our new Arts in Leicester website.

    See also:

    Part 2 – The Romans in Leicester

    The history of the Arts in Leicester Magazine

    News about RichardIII

  • Film company launch

    21st March 2014

    This page is part of the visual arts section

    Launch of 151 Films

    After continuous success over the past two years Leicester based video production company 151 Films are excited to announce the relaunch of their brand with a whole new look, website and online identity, which is currently being produced by Leicester based design studio, Leah Spicer Creative.

    Add this to some recent new additions to the team and a move into a fully functional studio space and it’s clear to see that it’s a very exciting time for the business!

    To celebrate, the company is hosting an exclusive event on the Friday 23rd August 2013 which will see the live unveiling of the new identity and company branding along with a showing of the new company showreel and previews of some of their latest projects.
    Having gone from strength to strength in their most successful year so far 151 Films have been able to build a great network and utilise some fantastic opportunities. With hopes of having at least one short film featured in an international film festival during the 2014 festival season and a recent music video production picked up by KerrangTV, the team are really proud of their achievements so far and excited about the future. As well as producing top quality fictional and music video productions, 151 Films also aim to deliver top quality corporate promos and event coverage.

    With the studio location now fully established and a fresh and contemporary new look for the brand on the way 151 Films hope to continue producing powerful, effective and current video for all mediums from Tablets to Television. With this in mind 151 Films are hoping to connect with new corporate clients looking to utilise video to promote a product or strengthen their brand. The company is also looking forward to setting up a charitable scheme which will be finalised later in the year.

    151 Films look forward to continuing great relationships with all existing clients, sponsors and partners throughout 2013 and into the future and are now on the hunt for exciting new ventures, businesses, freelancers and consumers to build a greater network and new relationships.
    The launch event will be held at The Font, Leicester from 7pm with video presentations and performances from local musicians and artists throughout the evening, plus the live unveiling of the brand new look website at 9pm.

    The evening will not only be a celebration of the rebrand but also a fantastic opportunity for networking between local businesses and creatives.

    For more information about 151 Films please visit www.151films.co.uk